Garden of Delight Backpatch
The Garden of Delight backpatch is sustainably printed onto organic cotton twill and handmade in Bristol, UK. Choose between the sew-on version, which is great for a less permanent application or the iron on version, which can be easily applied with a home iron onto many different fabrics.
One size: 23 x 32cm
Materials: Organic cotton twill 300gsm, polyester thread, heatseal (iron on version only)
The Garden of Delight backpatch is sustainably printed onto organic cotton twill and handmade in Bristol, UK. Choose between the sew-on version, which is great for a less permanent application or the iron on version, which can be easily applied with a home iron onto many different fabrics.
One size: 23 x 32cm
Materials: Organic cotton twill 300gsm, polyester thread, heatseal (iron on version only)
The Garden of Delight backpatch is sustainably printed onto organic cotton twill and handmade in Bristol, UK. Choose between the sew-on version, which is great for a less permanent application or the iron on version, which can be easily applied with a home iron onto many different fabrics.
One size: 23 x 32cm
Materials: Organic cotton twill 300gsm, polyester thread, heatseal (iron on version only)
What is ‘Made to order’?
We started Rebel Patch because we wanted to remove clothing from their journey to landfill and avoid textile waste. We therefore decided to produce our patches on a ‘made to order’ basis. This means that we need a minimum quantity of patches in order to go to print. This means less waste but also longer lead times.
How long will it take until I get my patch?
Because we need a minimum number of patches in order to start the production the lead time is currently between 2-4 weeks. We will update you about the process of your patch and hope you enjoy the journey. Thank you for your patience and supporting slow fashion!
The Garden of Delight collection by Brindha Kumar
Exclusively designed by Brindha Kumar for Rebel Patch. Hailing from Malaysia, a country imbedded with a myriad of cultures, something which has influenced her in the way she uses colours and emotions in her illustrations. She brings to her illustrations a depiction of geometry and symmetry with clean shapes and lines that centres around a tongue-in-cheek representation of modern and traditional society. Working primarily with a digital medium, her style applies a vivid combination of colours and patterns. ‘The Garden of Delight’ collection is her own abstract version of a wonderland; a fantastical series celebrating shapes, forms, colours and patterns.
